The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Results 1 – 10 of 36 This page lists all recordings of Prelude & Fugue sur le nom d’Alain, Op. 7 by Maurice Duruflé (). The four most important organ works of Maurice Duruflé are the Scherzo op. 2, the Prélude 5 and the Prélude et fugue sur le nom d’Alain, op. 7. They were.
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Retrieved from ” https: From Vierne he learned forms and structures as well as organ’s capability. Rainy Day Relaxation Road Trip.
Maurice Duruflé – Wikipedia
Mobilized in Augusthe fought in Flanders, participated in the evacuation of Dunkirk, and was killed in action near Saumur inaged 29, leaving behind some works. Click here to sign up. His music was influenced by Gregorian chant and Debussy. Cambridge University Press, Complete Organ Works; Motets; Requiem. alainn
He was durucle to an Officier de la Legion d’honneur in Jann Pasler mentioned in his article: He compsed the fugue with his own color and sense of time that he presented in the prelude. On the other hand, Subject 2 id made of a sixteenth-notes figure moving down. On 20 Junehe was assigned to reconnoitre the German advance on the eastern side of Saumur, and encountered a group of German soldiers at Le Petit-Puy. Lanham, Maryland, and London,5.
For Section A, he employed aeolian modes and major keys, and for Section B, he used lydian mode. He had begun composing the work infollowing a commission  from the Vichy regime.
Click track numbers above to select. Concerto en Sol Majeur; Alain: Another type of transition between sections happens at measure The same thing happens again on page 14, measure after the written-out ritardando. Historic Organs of Boston.
Duruflé: Prelude & Fugue sur le nom d’Alain, Op. 7 (page 1 of 4) | Presto Classical
He later suggests the use of a solo stop with for the melody in section B 8′ flute with principal, Cornet or Oboe. Organ Technique, Modern and Early, ed.
Messe “Cum Jubilo” Op. The descending line finally arrives at low C.
Prelude and Fugue on the name A.L.A.I.N., for organ, Op. 7
He became a chorister at the Rouen Cathedral Choir School from towhere he studied piano and organ with Jules Haelling, a pupil of Alexandre Alaln. Each section develops its own vector, its own force of contrasting shape and direction, which needs resolution or balance.
Works of the French Masters. The Basilica of the National Shrine.
The left hand plays the extended melody from the B section. Therefore, the contrast between the two sections by using different registrations is another way to fugur determine the form.
A slight increase in tempo and a new theme in semiquavers bring an increase in tension, and this new theme is gradually combined with the first.
Summer The fugue subject takes as its starting point the five-note figure which provided the figuration of the first movement. His organ works show impressionistic characteristics leading him to be described as the Debussy of the organ.